Friday, February 24, 2017

Large adornment religious or secular, during the Renaissance the vigorous development of the full

Large adornment religious or secular, during the Renaissance the vigorous development of the full, -- in motion in the 18th century Europe, especially France and Italy are. During this period, is the representative of this tradition in Venice giovanni, fulgencio batista, mention el polo (Giambattista Tiepolo), his achievements in this respect, is enough to create a dynasty painting.
Mural: teach rosary, painter: giovanni, fulgencio batista, el polo
Mural: teach rosary, painter: giovanni, fulgencio batista, el polo
From 1737 to 1739, Mr Polo in Venice palatial oil painting st doria, DE yi jie, Sue Artie church (or rosary church) created the zenith, including near the altar "saint Dominic glory", at the entrance to the temple of the virgin to saint Dominic apparition, and the middle of the ceiling to teach rosary, all show the el polo special perspective drawing skills.
El polo of saturated robust teach rosary, distinct, especially impressive. A ladder leading to a colonnade, the picture is the central holding rosary st. Dominic and a group of prayer on my hands and knees. Stair lower part, the saints had fought al than one sect of creator incarnate into the abyss. The virgin and the son is in the air watching what happened below.
Perspective of the "teach rosary" techniques and effect to the limit, light and color, step by step a character the farther the smaller painted. Amazingly, for building (cylindrical) and the processing of saints, perspective effect is a plus.
This appearance consummate skills of the space, with elegant color, for the whole of Italy, especially in Venice before work, bring the color of big innovation. The 17 th-century paintings to follow the style of the late caravaggio, is characterized by the high contrast of light and shade. El polo mural color is light, looks elegant harmony.
The color revolution is not mention el polo a personal, contemporary or older artists, such as plug buss mention jarno Ritchie (Sebastiano Ricci) and Jia M batista, piett chita (Giambattista Piazetta) in Venice as a painting, including in the jesuit church paintings, are also light works. But the artistic achievement of the el polo, undoubtedly on the two painters. To JuHua "teach rosary" as an example, the painting color fade, hierarchy is exquisite, dark and light piece of balance, the painter el polo with mutual echo or opposition of straight line and diagonal lines to suggest action, don't like baroque artists use exaggerated gestures, its technique is really breathtaking.
Depicting religious scenes of this technique, in part by the 16th century Venice is one of the great painter veronese, the influence of his usual conception many characters, with a dramatic work. Veronese is oil painting reproductions predecessor of the el polo, but mention el polo's artistic style is more light than his teacher. In the el polo conceived the characters in the works, always flow of fresh air, the layout of the figures as a ballet performance. The sky in the picture is like jumping farandole angels oil painting and saints, the picture evokes Europe art unprecedented brisk pleasant feelings. Notre Dame below, a group of caryatids angel seems to be in the cloud, the naked or half naked body twisted together, showing round roll tantalizing thighs. Cupid angels, or combined with a dark cloud will stretch them, or to plump pink small body with white mist cloud contrast. They are flying in the upper portion of the picture, like a group of pigeons soar volley. El polo's portrait of a mantra, or a Thanksgiving hymn, filled with gratitude, instead of complaining.
Giovanni, fulgencio batista, el polo profile
Giovanni, fulgencio batista, mention el polo (Giambattista tiepolo) was born in Venice in 1696, is a master of 18 th-century Venetian painting, called "rococo" after one of the main representative figure of the baroque style.
From 1720 until he died in Madrid in 1770, during el polo in Venice, Veneto, udinese, milan, bergamo, verona is decorated with many churches, palaces and villas. From 1750 to 1753 in wurzburg, after 1761 years in Madrid also do a lot of decoration.
Named el polo for roofs and walls of buildings as large murals, boundless creativity, two sons often when his assistant: ginger, nico more (Giandomenico, Venice, 1727-1804) and Lorenzo (Lorenzo, Venice Madrid in 1736-1736).
These magnificent luxury decoration is giovanni, fulgencio batista, el polo life main representative of the work. In addition, el polo also create a lot of artwork, and small works depicting the secular or religious. Son died in the el polo, ginger, nico continue to more of his unfinished, and create a large number of popular painting, to the daily life of Venice, especially the carnival or secular festival scene depicting.

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